Indian HandicraftsArt & Craft of India

Sites Listed Under ‘Art Work’ Category

The Poppies – Nomination for Favourite Handmade Artist’s Blog

Sunday morning I was so happy to be notified that Ashes & Milk was nominated as your “Favourite Handmade Artist’s Blog” for Poppytalk’s Handmade Awards event, The Poppies.

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The Poppies – Nomination for Favourite Handmade Artist’s Blog


Beyond Walls, Nontraditional Ways of Making a Living as an Artist

Above is the awesome logo that Chad Kouri designed for our forum Beyond Walls, Nontraditional Ways of Making a Living as an Artist . I am super excited ( and a bit nervous ) for my first Artist at Work Forum hosted by the Chicago Artist Resource . The workshop will open up with introductions from three Chicago artists and myself where we will be talking about how we sustain a living beyond the traditional brick and mortar gallery system

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Beyond Walls, Nontraditional Ways of Making a Living as an Artist


The Creation of a Mannequin

Anthony’s painting , my photography and Nicholas McNair’s music. To hear more of Nicholas’s music please go to: http://www.nicholasmcnair.com/ right click to open in a new window

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The Creation of a Mannequin


The Indian Kitchen

Jaipur, India 1986 In the remotest village Anthony ever visited, he stayed in a house that amused him greatly, especially for its kitchen, which was full of holes! He painted various aspects of it, including even a study of just the door which was the house’s most eccentric detail. This door and the surrounding wall were full of cracks so large that a person could easily pass through them into the house….and yet the owners still proudly locked their door at night, shoving great bolts across it, turning keys..and then proceeding to walk right through it! The hole in the roof (in fact half of the roof was missing!) pleased him too , as did the cowpats, which in India are intelligently used for fuel. In any Indian house, from the richest to the poorest, there is always water on the boil , for interminable cups of “char” (very strong tea with vast quantities of sugar)

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The Indian Kitchen


Rhonda the Rhino

Rhonda by Fanny 40″ x 30″ drawing in ink Rhonda detail Rhonda is a beauty, she’s lovely to behold And people come to gaze at her, both young and very old They’re always asking questions , and wanting to be told How did she get those colours of red and blue and gold? So here is Rhonda’s story, I promise that it’s true Please pass it on to everyone As I do now to you…. Way down in the savannah where the wild grass grows A lovely rhinoceros is striking a pose For an artist who is painting her big, blue nose She has to keep from falling off her big, red toes.

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Rhonda the Rhino


The Drawings of Fanny by Reggie Oliver

“I started drawing on July 10th 1999 in India” Marian Fannon told me “…..I had never studied art or drawn a thing in my life before that. Just got the urge one day and when Anthony [Christian] saw the results, he encouraged me to carry on and so it went…….” What the artist Anthony Christian saw was a sense of form and a distinctive approach to the medium. One notices immediately a decorative skill, a facility for filigree detail, and a warm yet subtle sense of colour.

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The Drawings of Fanny by Reggie Oliver


Signed Art Prints – is it the next big thing in the Art World?

Hello World, I’ve been an artist for over 30 year now, and recently I’d started noticing big advances in printing quality and photographic / poster art prints technology. Looks like just about anyone with a good digital camera and a decent printer can create a nice photographic or art print or poster and actually autograph (sign) it to. So, I started wondering if this is the next big thing in the Art World – signed art prints or signed art posters?

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Signed Art Prints – is it the next big thing in the Art World?


Colorist Quandry

I absolutely love coloring other artist’s lineart.  I would totally do it for a living if I could.  Usually when I tell people that, they mostly just kinda furrow their brow, or smile politely; probably thinking “Well, anyone over 3 can color”. I heartily disagree, though explaining why can be difficult.  I guess it all comes down to interpreting the lines.  When coloring your own work, you know what colors go where, how shadows fall, and where your light source is located.  When working on someone else’s stuff, these things usually need to be decided via line width, light/dark balance of the inks, or if the lineart is less detailed, much will need to be improvised

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Colorist Quandry